Acquisitions

Herbert Berry fondsHerbert Berry fonds: A professor of English and Associate in Drama, Berry specialized in the literature of the English Renaissance and particularly, the history of the Elizabethan stage. 

David Carpenter fonds: Additional materials, in particular relating to A Hunter’s Confession; Niceman Cometh; and Welcome to Canada.

MG49, Physical Standards and Instructions for the Medical Examination of Serving Soldiers and Recruits for the Canadian Army, 1943. Box 14.Frank Coburn fonds:  Additional materials relating to Coburn’s work as a psychiatrist, as well as records relating to his involvement in community affairs, particularly relating to issues of social welfare, community health, and politics.

Douglas & Novia Cole Collection: Additional materials relating to author Robertson Davies.

MG 368, Bridge City Review, no. 21981, by Dave Geary.Robert Cole Collection: Materials relating to academics, athletics, and entertainment on campus.

 

Davis Family fonds: Additional materials relating to this well-known PA family.

MG 259, image of AgPro Grain elevator, repainted: previously Saskatchewan Wheat Pool ‘A.’ October 1992. Binder Elevators Saskatchewan North-EastKeith Ewart fonds:  Additional materials. Two new accruals, both exclusively images of elevators from across the province.


Sergey Federoff fonds: Additional materials, with significant documentation on the history of tissue culture research internationally.

MG 375, pamphlet for Année Max Jacob, musée des beaux-arts de Quimper, France. File musée des beaux-arts de Quimper, box 14.Maria Green fonds: Materials concerning Max Jacob, the French poet, painter and theorist.


Charles Hayter fonds: Research materials relating to cancer control, radiology and radiotherapy, used for An Element of Hope: Radium and the Response to Cancer in Canada, 1900-1940.

“Gruß vom Schießplatz Wahn,” Samuel Laycock Postcard Collection

Samuel Laycock Postcard Album:  post-World War I postcards of France, Belgium and Germany.  Laycock sent several home at a time, using the backs as if they were pages in a single letter.

H.D. “Howdy” McPhail Photograph Collection: for a decade, between 1952 and 1962, Howdy McPhail took aerial photographs of farms and towns throughout the West and extending into BC, Ontario, and the United States.  It is an extraordinary collection, a “Portrait of an Era,” and an exceptional resource.

MG 151, The Everybody Sing Book (revised; Canadian edition), 1932.Isabelle Mills fonds: Additional material. This accrual is primarily Mills’ extensive record collection, gathered over more than 40 years.


Courtney Milne – Emily Carr Country: A beautiful series of framed prints – many of which have, happily, found their way onto wall in our staff work areas where they can be enjoyed daily. Thank you, Courtney and Sherrill!

MG 223, [Modern Press] women’s bowling team, [ca. 1940].  File SWP/WP Photos, box 12.R.H. D. Phillips fonds: materials created or collected by Phillips, primarily during his tenure with the Saskatchewan Wheat Pool. Communications, transportation, the Western Producer, Modern Press, and Western Producer Publishing are topics.

Stewart Raby fonds: A leading authority on First Nations’ land claims, Raby’s fonds contains extensive documentation on Aboriginal issues as well as physical and social geography, his first academic pursuit.

MG 355, “The U of S Rassler, Official Program” Greystone Theatre’s production of Trafford Tanzi, October 8-17, 2009. Accession 2009-96, file Wrestling, box 2.Neil Richards – Professional Wrestling Collection: monographs (over 160 book titles), catalogued wrestling photos (over 900 images), hundreds of fan magazines and event programs, and examples of paper ephemera including posters, pamphlets, fan scrapbooks, trading cards, and comics.  

Marie Elyse Yates St. George fonds: numerous prints and sketches, together with some textual records relating to print-making and writing.

Mortgage note from Schwinghamer Family fonds, file Crop, Chattel Mortgages, Loans, Etc. folder 1

Schwinghammer Family fonds: An interesting collection documenting  credit, debt, farm success (or failure), and legal matters within a small community in central Saskatchewan.

Nik Semenoff fonds: Possibly best known for his research into printmaking processes, Semenoff received an honorary degree from the University of Saskatchewan and the Lifetime Award for Excellence in the Arts from the Saskatchewan Arts Board.

MG 281, “Bogey Ball” pennant, excerpt from Hoehn scrapbook.  File 6.1, box 3.Duff Spafford Collection: An avid collector, Spafford’s donation includes many rare items relating to the University’s history.


Ron Sutherland fonds: Additional materials relating to peace initiatives as well as chemical and biological weaponry.

Les 3 Brasseurs beer mat, R.L. Sweet Breweriana Collection

R.L. (“Dick”) Sweet – Breweriana Collection: research into the history of brewing, including Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats).


Exerpt from Geological Survey Report

Bill Waiser fonds: Additional materials, relating to Who Killed Jackie Bates?;  Everett Baker’s Saskatchewan; and Tommy’s Team.


Margaret Weirs fonds: the life and career of an early feminist, social reformer and fierce nationalist, who embarked on a 40-year career in journalism that began with the Regina Leader-Post and ended with the Toronto Star.

Image: Marcel Barbeau, La Grande Vie, 1984, acrylic on linen, 149 x 149 cm; Collection of the University of Saskatchewan. Gift of Richard Corso, 2009.Recent Acquisition to the University of Saskatchewan Art Collection: Marcel Barbeau Marcel Barbeau was born in Montreal on February 18th, 1925. Between 1942 and 1947, he studied painting and sculpture with Paul-Emile Borduas at the Ecole du Meuble in Montréal, where he was a student in furniture design. At that time and until 1953, he regularly visited his master’s studio where he met other young artists and intellectuals, all members of the Automatistes. As a member of that major Canadian contemporary art movement, he participated in all exhibitions featuring the group and signed its manifesto,”Le Refus global”. Some art historians consider that he was and remains its most innovative artist. He also was a junior member of Montreal Society of Contemporary Art with which he exhibited between 1945 to 1948.